[0:00]it's just me or is listening to Migos so bitter sweet man. Like It is. Oh man. It is. Because they were so high up, dude. They were so high up, man. I mean it it it is because dang, they broke up. We lost one of them, you know what I'm saying? And so it it is bitter sweet. But you just have to enjoy these these moments and always go back to him and listen to him and play him because almost like listening to NWA. 100%. 100% because like we didn't get the experience, but listening to it for us is listening to it. You know what I'm saying?
[1:21]Hey.
[2:16]Now, I'm going to tell you right there, after that, that is trash, trash, trash. I don't give a fuck with nobody say. That song should end right there. It should be a different verse, but let me get this episode introduce, man. This is spaceship down memory lane. I am DJ A.I. And I'm here with my brother, the nigga that's liberated. Hey.
[2:47]Man, so the people that couldn't hear it, man. That was Father stretch my hands produced by Metro booming wants some more. Nigga, But Kanye, fuck that up and I refuse to play that shit. I just I just I just can't, man. Yeah, that nigga's talking about bleaching assholes and shit. And I'm telling you, man, it just makes me sick to my stomach because when I, uh, when Kanye came here on that tour, people in Indianapolis were so happy because the first stop was here. I will never forget that. I will never get that and he let us down. He let us down first of all. We thought Travis Scott was opening, and he didn't. The nigga was in the crowd with us, like a fucking civilian and Kanye kept fucking up and starting over songs. We could tell he was testing it out, but any who, man, the topic of today's episode is producers and their tags. So, this name could be a two three partner, man. I started just finding a whole bunch of lists and just throwing something together, but I just picked a few of my favorite producers so far and a few of their tags on here. So, obviously, the first one was Metro Booming and he might have the most tags for one person. Yeah. And for those of y'all may be listening don't know what a tag is. Oh, Lord, school them. Trying to see how to put it. It is either a saying or a sound or something that is done by the producer on the song to let you know that they're the ones that made that beat. I got one better for you. It is their autograph. Basically, It is their signature for the beat. So if you ever hear this sound or this saying or this, whatever it is, you'll know like, oh, that's a so and so beat or this is a so and so or. Yeah. Go to the next one. Yeah, we can go to the next one.
[5:00]Oh, they just gave
[5:30]it's just me or is listening to Migos so bitter sweet man. Like It is. Oh man. It is. Because they were so high up, dude. They were so high up, man. I mean it it it is because dang, they broke up. We lost one of them, you know what I'm saying? And so it it is bitter sweet. But you just have to enjoy these these moments and always go back to him and listen to him and play him because almost like listening to NWA. 100%. 100% because like we didn't get the experience, but listening to it for us is listening to it. You know what I'm saying? So, man, speaking of this is totally random. I got to go pick up that killer Mike Deluxe vinyl. Got to get that. Oh, yeah. Definitely. Definitely. But, um, yeah, so let's give him one more, uh, let's give him one more Metro. One more Metro booming. Yeah.
[6:27]You hear how quick that was?
[7:04]and bigger. And for the people that are watching, as you can see, Knox came in here again. I'm telling you, man, I don't know what he came down here as my dog. I love him, man. He came down here and told me that he got first place on Mario Kart. If you knew how far he had to go to get down here, tell me that, dang, boy. Nigga, I've been doing this shit forever. But now I'm about to go up there and beat his ass in 30 minutes. He ain't going to want to play no more. Oh, you ain't first no more. Hey, uh-uh, look. I don't let my kids win. I don't fuck that shit. Nothing. That is not how the world world is at all. Like Dave Chappelle skit where he had the kid playing the PlayStation. Yeah, on everything. I don't let them win nothing, never, not one time because my uncle beat my ass in every game we ever played. Built character. On everything. Damn it. But yeah, man, those are a few Metro boomers. That's a we can play Metro boomer for an hour. Yeah. All of these. All of these. Really, this next one is, uh, man, Just Blaze. Woo, Just Blaze got about, he about two or three. Yeah. Two or three. You got this next one for us? Yeah, I can do one real quick. Let's get it.
[9:23]That's two classic albums back to back right there, too. I must say, man. Confessions and, uh, what's Cam'Ron's, uh, come home with me? Come home with me. Yep. Yep. Yep. Man, this one is actually not even on the list right here, but I just thought about it when we put it in because this motherfucking beat is so hard. And it's newer. I think four years. Okay. I think I might have seen it and didn't do it, but
[10:45]First time I heard that, I was like, shit, what album was that on? That was on the Port of Miami 2. I was I was Yeah, Port of Miami 2. Okay, that's what that was on. Cause I didn't really didn't like that album that much. That album was decent. It was it was best, but it was decent. To to my Rick Ross standard. That motherfucker was definitely the standout on that B. Yes, though. Yeah, yeah. That motherfucker was the standout. There's about three that really like stood out on there to me. I'm going to say about three of them and that was definitely one of them. Man, I I have to, I'm going to skip another these, but this one I got to I got to do because this is this is for all my NBA street two people out there. Two for one. Two. Even one. Damn it.
