[0:08]I was born in a thunderstorm. I grew up overnight. Wow, what a voice she has. I played alone, I'm playing on my own and I survived. I had a one way to get to a place where all the demons go. No hope just lies and you want to cry and you open, but I survived. I'm still breathing, I'm still breathing. I'm still breathing, I'm still breathing. I'm alive. I'm alive.
[1:08]Bravo! I'm alive. I remember every single mistake that you can ever possibly make. I took, and I took, and I took what you gave. But you never noticed that I was in pain. I know what I want and I went and I got it. I did all the things that you said that I want. And I told you that I would never be forgotten. I'm still breathing, I'm still breathing. I'm still breathing, I'm still breathing. I'm alive.
[1:56]Wow! I'm alive. There are no such things. I'm alive. Wow, wow, wow! Wow, wow, wow, wow, wow! What an Audition, Michael.
[2:17]I'm still breathing.
[2:22]Wow!
[2:30]Hello, how are you? Sapir Amar, 22 years old, from Beer Sheva. Wow, wow. What is this voice? Look how the abstinence pays off, Aviv. Yes. Yes. I hate you right now, literally. You see? Why only now, we've been waiting for you, but we couldn't press anymore, I almost broke this thing. I want to tell you something, there were other people here who reached these highs, that's not the point. You are present, you are there, you are pouring something into this sound. True, true. I want to kill you, you're amazing! Amazing! Thank you. Wow, wow, wow! There was a lot of presence here and a lot of magic. I personally don't like "great" power, I've never liked it, but there was something about you that was very, very authentic. In the way it came across from the stage to our chairs, a lot of charisma in the voice, which is a very rare thing to find in The Voice, at least for me. A lot, a lot of courage you have. What's your story? Do you have a life experience? Really? Yes, of course, like. There's some kind of scar, apparently. I've been through a lot, yes. You hear that, these scars make you very beautiful. Thanks. It reminds me a lot how not to, Ninette, because she's a singer who has a lot of charisma. She's very confident in herself. When I worked with Ninette quite a few years ago, she was a queen. She lived in a palace and she saw from her palace a tent down below with some unfortunate people, and she said, "I want to be there in the street with them." And I told her, how can you, look, you're so, so huge in Israel. "I want to be in the tents with the unfortunate people." Musically, to be there, and she went down to the street and for that, I admire Ninette to this day. So bravo to you. Thank you. It's very nice to go to a tent when you're a queen. I think that being a queen and getting the palace, and that you're truly a queen and singing such songs, like Sia's, I wish you to reach many, many people and that you get your place as royalty and that you won't want to be, everyone has their place. And it's a very great wisdom to stay in your place, Aviv. That's not true, though. That's not true. And it's very, very brave to accept that you're a queen. Ninette is the only artist who moved from mainstream to indie willingly. But she belongs to mainstream. None of us were. We all came here to Channel 2 in the end, right? Yes. It's very warm and pleasant here. She went, she broke it all. No, that's amazing, but Ninette, but she, it's not harder here than in every other small club. It's very easy here. We're all here somehow, friends. Good, there's a stage like this where they steal from each other and I'll steal you from Aviv so that he doesn't bring you to all kinds of obscure indie places. Yes, obscure and small places. Because you have to reach many, many, many people. You received a great gift, take it. Don't diminish it. I'm very, very happy that they missed the train and you're mine. Give me a hug. Thank you. What a voice, ya'allah. You killed me.
[5:21]Welcome.
[5:25]God.
[5:43]The truth, she has an amazing voice. I don't know how much she suits you, she... She could have suited you, it doesn't matter. I'll make her miserable, small, indie, quiet. Sell 100 copies and that's it. And then she'll start in "Indie Labontin", yes, yes. And then in Indie. You need a lot more courage to be in mainstream, just so you know. It's much easier to sing strange things and appear in Labontin, much easier and fun too. You don't understand. Okay.
