[0:00]we can we will just rehearse with my director for na Tumbudu, Go and do bubbly, Komaram. If you see a tricycle, do you want to ride it? Obviously. I want to ride it. Who picked up the step first? You know, and the steps was introduced to you? Rajmoli. He picked the step. Seriously, I picked the step. He picked the step.
[0:31]Hi, hello. This is me RJ Sudev from Club FM. And, you know, it really feels nice to be here. Karunam, Indian movie industry big names. And language barrier three I will be using Hindi and English. How are you doing? We're all good. Thank you so much. I like your voice personally, by the way.
[0:55]It's so deep, it's so you know, rich, powerful. I really like your voice too, especially the teaser about Ram for Bheem and Bheem for Ram. Both have done amazing job, you know, I really liked it. So I just have a request here. Can you do that a bit of that dialogue for each other, like introducing Ram as Bheem, Bheem as Ram? What language do you want to tell? Telugu, Telugu, Telugu. I would like to say Malayalam, but it's okay. we can we will just rehearse with my director. I will just say, you know, and Manem, Alluri Sitaram Raju. na Thammudu, Kondu Bebbuli Komaram Bheem. My God. You know, it's like a goosebump kind of moment for me personally. And sir, coming to you. I have a question, like, your father wrote the script for this movie. And I have seen that your previous movie was also the script was written by your father. So what that father son do is really nice. What sort of conversation, you know, does both of you have, like when doing these stories? not just while doing the stories, in our life itself, we talk only about There's nothing else to talk about. Because my father is like morning, he gets up at 4:00 in the morning and sleeps at 9:30 or 10:00 in the night. The only things he does is write stories, think stories, tell stories, he does nothing else. And you make stories. Yeah, and we sit together and discuss, converse, it's like any director writer conversation. You know, another part of this question, I have seen that the music is done by MM Kiravani. And you are a beautiful, you know, visually enchanting stories. Like your stories or your visuals are so enchanting. And Kirani's music's like, music is like an icing on the cake. So, and he's your cousin also. Like, what, what type of conversations do you have? Like, I have this kind of scene, so I have this kind of music or does he make an input of his own or like you direct him? Yeah, when it comes to background score, he almost unilaterally decides what needs to be done for the because of his experience so many films and everything. The moment he looks at the rushes, he understands what to do. Songs wise, then again, depends on what kind of song it is, then I'll be asking him a little bit here and there. But 80% of it, he decides. Of course, ultimately I have to take a call. But it's usually he he takes the call. So he's like, he knows your pulse. He knows the audience's pulse. That's a better statement. I like it. You know, coming to you guys, the Natu Natu song, it's a very powerful song, you know, I must say, when I listen to that song, I'm like, I have to do something today.
[3:49]So, who picked up the step first, you know, and the step was introduced to you. He picked the step. Seriously, I picked the step.
[4:00]Picking up was almost both of us picked it up together. Because, yeah, you know, like, he's a great dancer, he's a phenomenal dancer. So, It wasn't tough. There.
[4:13]The the the toughness was not picking up the step. It's a sinking the step. sinking it together. And our man here is very particular about the hands need to go up with the right, right timing, and they need to go up to the right height or level. Not that we were even, yeah, you know, what, actually, you know, we should have actually used to have tried our, tried our hands with the string or something so that we know who's lifting and then, yeah, you know, we should have done that. I was looking at I was looking at the poster and I said, sir, I think our trousers are also doing the same thing. I can see that you guys are pulling his leg here. I mean, like, I think, you know, I think, you know, pulling his leg about this has become so boring now. We've pulled his leg for 13 days there constantly. And then after that, a month after that, a month after that also. So we're bored of it now. we just want to You can see it's all worth it. The day, why there's so many reels, so many, you know. Yeah, we just want, people, to watch that song now. We because all you're seeing there is just two steps. There's a lot. The front, the before the song, in the song, after the song. It's like when a mother says, you know, it's lunch time to the kid. The kid never eats. He's always cribbing. But finally, he eats. It's like that. We keep priying to him, saying, sir, but he's like, yeah, take your own time, but you have to do it. Okay, next question is somewhat related to it. Rajamouli as a strict professor or Rajamouli as a benevolent mentor? Which is your pick? Strict professor. You like it that way. mentor. We need I think, yeah, it's a, it's a combination of both. But yeah, more of more of strict, strict professor, I would say. Okay, so you prefer strict professor, and you prefer a benevolent mentor. Nice, personally, I would like to prefer a benevolent mentor. Coming to you, sir, I have heard that you're a big fan of Amarchitra Katha. And as a kid, I used to read Amarchitra Katha and I really loved that. So this question is somewhat related to the kid inside you. How the kid inside you has helped you in weaving these stories and, you know, imagining those visual extravagant scenes. Is the kid inside still there? Yeah, I can say that because the kind of excitement I get in in simple things. I'll ask you one thing. If you if you see a tricycle, do you want to ride it? Obviously. I want to ride it. There is a son, son of a nephew of mine, who is a three year old kid.
[6:58]He has a small, what do you say, scooter, a scooter, a scooter, a bicycle, a sitting, a sitting scooter where you do like you said and it moves forward. I ride it. I go and ride it. Along with him, I go and ride it. Personally, at this moment, I'm really happy because I can tell my mother that, you know, Rajamouli is also like a kid. I can be like that here. So because my mother always, you know, tells me that Rajamouli sir has said that I will do it. There is a kid in everyone. Dil ko bacha hona chahiye. Absolutely. So, as we saw in the trailer, brace yourself for Bheem and Ram. And yeah, finally, we have only one thing to say and that is tan tan tan tan tan.
