[0:00]Yorushika has been on my request schedule from my community, and I'm now finally getting to them. And in my little preliminary investigation, wow, this is exactly the type of group that I want to be breaking down.
[0:13]So here's how today's going to go. I'm going to do two songs for you all here as a reactions and sort of song analyses on YouTube.
[0:22]I'm going to do bubble as well as Haru, I guess is this one.
[0:28]And then for the full uncut deep dive study, which you can see, which will be a link in the description and a pinned post by the time that this hits YouTube, will also include, um, just a sunny day for you.
[0:43]That's why I gave up on music, which was requested, I think Dorson in my community requested this one.
[0:49]We're going to do this one, and then also, uh, Hana Ni Bure.
[0:56]So here we go. I've got a ton of research that I did on these songs as well as on Yorushika, who are like an anonymous band, actually.
[1:04]What, at least I think that's what it is. I have so much we're going to poke through, but before we go too far, I have to hear the sound, uh, I have to hear these sounds.
[1:12]So this first one, Bubble, is I guess, um, it's an opening for an anime, Liar Game.
[1:21]It's an opening theme released not too long ago, April 22nd, uh, this year.
[1:28]So, yeah, let's check out the video first, and then I will break down I'll break it down, okay?
[1:33]Here we go. This is Bubble.
[1:39]It's got a kind of Latin feel.
[1:45]But then also like, what is this?
[1:49]It's almost like drum and bass with like Latin jazz or something.
[1:56]Ah, this music video!
[2:09]Oh my God, this is like a, it's like a Groundhog's Day or something.
[2:14]It's like a, you know, it's almost like a video game where you got to figure out how to get out of the room or something.
[2:18]Fascinating, this music video.
[2:29]It's almost like too distracted, like it's so fascinating watching this music video.
[2:35]I kind of just need to, I want to fo Usually the music distracts me so much and I miss what's happening with the visuals in a reaction, but this time I feel kind of like the visuals are almost like taking more of my attention than the music, so I'm just going to listen.
[3:25]She's amazing.
[3:33]Oh my God, what is this? What are we listening to? And the visuals, oh my God, brilliant.
[3:41]All right, all right, all right. So this stylistically is, um, it's got all that fast like the drum and bassy stuff, it feels like.
[3:51]I guess that's what it would be. It's like, but it's like drum and bass like an organic drum kit.
[4:00]Right? I mean, it's not drum and bass, but it's like got that little bit of that sort of skipping sort of beat, that fast beat, but the piano, I like the piano.
[4:08]It's got this like Latin, what is it? Like Bossa Nova feel, kind of like, I like the the guitar that sort of, um, acoustic plucking.
[4:19]And we got that accented syncopated rhythm in that acoustic guitar, sort of finger picking acoustic guitar sounds.
[4:27]This is brilliant. Brilliant and weird in a good way.
[4:34]Oh, and that bass, there is a lot of cool musical stuff happening.
[4:39]We're going to have a fun day today studying these artists. All right, all right, well, let's keep listening, let's keep listening.
[4:46]Uh, yeah, we were about to hear, yeah, I think we're about to hear, we're like through the first chorus, I guess.
[4:58]Oh, who's Ah, there's like real musicians and serious musicians in this group.
[5:12]No doubt about it. Ah, Oh my God, already like the level of sort of innovativeness or sophisticated geniusy stuff going on is reminding me a little bit of Fujikaze, which I just did a deep study of too.
[5:23]Oh my God, they, um, Oh my God, Fujikaze too, what?
[5:33]I love Japanese, like, Japanese contemporary commercial music is so stimulating for me.
[5:42]Hear the organ? Or the I mean the, it's not I mean, it's like an accordion, I mean, in the background.
[5:48]Candle up left here.
[5:53]I'm trying not to watch this, this music video is so interesting.
[5:58]Her voice is, hear the bass here.
[6:16]What is it about?
[6:24]And, who's the This is wild music.
[7:13]Who's this guy? It's like he's breaking the fourth wall.
[7:22]What a weird video.
[8:07]Oh my God, I am so grateful to have you guys helping me, steering me on what, who I need to check out next.
[8:14]This was kind of came up serendipitously, like literally, I mean, I didn't even know, like, someone on my crew was like, you got to check out Yorushika, and then, uh, I saw it was on the schedule.
[8:24]Somehow I missed it on the schedule and now here, I was like, I need to do a deeper study and I am so glad we are studying them more.
[8:32]Wow, this is fascinating music. This is stim, this is very advanced.
[8:39]There are some serious musicians in this group, no doubt about it.
[8:43]Wait, wait, wait, let me get some info here on them. So Yorushika, Japanese duo formed in 2017, Embuna is the composer, Embuna, is that how you say it?
[8:52]Um, lyricist, arranger, guitarist, came up as a Vocaloid producer, produced on Nico Nico, starting 2012.
[9:02]We just did a, I did a two-hour live stream where my community threw a whole bunch of we only got, we didn't get through as many as I'd hoped, but, uh, threw a bunch of, uh, Vocaloid songs, and we listened to them together.
[9:14]Oh my God, my brain, I'm still putting my brain back together after that.
[9:18]So fun. We're going to do that again for sure as a community. I've started live streaming, and I have a whole, um, I have a whole schedule, is it right here?
[9:24]Do I have my schedule? Yeah, this is my schedule. I'll put a link to that all down in the description.
[9:31]Um, because we do I have a J-pop discovery a J-pop bands discovery. They're all, uh, happening live streaming. When is it live streaming?
[9:39]Yeah, live streaming this Sunday at noon.
[9:42]Um, so if you want to join up my Twitch, I do those on Twitch and then they're usually two hours, and then I put them up on Patreon for, uh, at the lower tier.
[9:51]So that you guys can come over and check them out if you want to miss them, but, um, wow, wow, wow.
[9:59]There are so many layers, I feel like we could go back I could spend this whole spend a whole hour just breaking down the depth inside of this song, and I do that sometimes, uh, with my community.
[10:10]But not Today's really just about me meeting this new interesting artist, so I'm going to leave my my depth study at this level for now on bubble, but if you all want me to over let me know if you all want me to go deeper on this one and do like a deep study for you all in the community, I would be happy to do that, but that was fascinating.
[10:28]I mean, there's so much more to talk about in that song for sure.
[10:33]All right, here we go. We've got another anime opening.
[10:37]We just did an anime openings and endings live stream, too, uh, on Sunday.
[10:41]That was really fun. Um, okay, Haru, this is from, uh, is this is Freerinn?
[10:46]We did we did some Freerinn. Um, isn't I think we're going to be checking out some is it Mr.
[10:51]Green Apple, I think is the band. Um, God, there's so much music we're checking out. All right, so this is Haru, this was released, uh, 2024 Freerinn, uh, and, um, she doesn't need music to make her voice stand out.
[11:04]Yeah, I didn't even break down her vocals yet from that last song, we'll talk about her singing here a little bit more.
[11:11]Um, so this song is built, the lyrical meaning behind this one is built around weather as emotional permission.
[11:17]Uh, the other person is rendered as wind as glass eyes.
[11:20]By the way, if any of my research is wrong, let me know in the comments as a correction, please.
[11:24]The other person is rendered as wind as glass eyes, as someone who's, who closes their eyes at sunset and turns blue against a sunny sky.
[11:33]The narrator can't always reach them, but can give them weather to live inside.
[11:38]Mmm, beautiful, interesting. Um, I've got more stuff here on it, but let's give it a listen, and we'll talk about the song, um, Freerinn is something that we I watched one episode of it, and I thought it was interesting.
[11:49]I'm not sure if the community wants to watch it or not, but, um, you know, I'm open, I'm definitely open.
[11:53]Here we go.
[11:57]Mmm, more guitar on starting of the song, interesting.
[12:01]And Buna's a guitar player, right?
[12:08]And Suice is the vocalist, is that her name?
[12:18]Cool, kind of like indie pop or something.
[12:25]Reminds me of this band Phoenix that I like a lot.
[12:33]I love her mixing.
[12:39]Oh, that bass again, ah.
[12:57]Her voice is, this is beautiful. Oh, that guitar solo there.
[13:07]Oh, I love this melody here. Very emotional.
[13:16]Oh, beautiful mix.
[13:19]Oh, All right, all right, we have to talk about her singing now.
[13:23]Her singing is spectacular.
[13:26]Lots and lots of tone quality diversity in her singing.
[13:30]What do I mean by tone quality diversity?
[13:33]This chart here, by the way, is how I like to break down vocals.
[13:37]Um, and before I do that, real quick, real quick, real quick, who am I?
[13:41]Let me introduce myself. My name is Tim. I've been a vocal coach if this is your first time to my channel, welcome.
[13:45]This is my website, and, uh, I've I've been a vocal coach for the last 26 years.
[13:51]Building voices is my life's work, although I'm doing a little bit less teaching now because I'm spending so much time with you all here on YouTube and Patreon and stuff, but I still do teach every week.
[14:02]I'm going to the studio later today. This is my amazing team of teachers that teach under my tutelage here in the Manhattan Tri-State Philadelphia area.
[14:09]We do in-person lessons out here, but we have students now online all over the world.
[14:15]Yeah, and online lessons work really well, so if you need a vocal coach, hit us up, link is down in the description.
[14:20]Okay, that's who I am. Now, I want to talk all that to say, now I'm going to talk about some singing a little bit here from this.
[14:27]Uh, her singing is really good. So when I say tone quality diversity, I'm talking about the different vocal, let's say, vocal paintbrushes that a singer is using in their singing.
[14:39]And I found over the years from teaching so much that if you think about someone singing in relation to these seven topics, then you have a really good take on how they're using their voice in that moment.
[14:52]And it's not all the information, but a lot of it's contained in these seven concepts, okay?
[14:56]These seven sort of metrics for singing, so let me just break down a little bit about what I'm hearing vocally here.
[15:05]This drum really reminds me of Phoenix.
[15:08]There's a band Phoenix, I love the band Phoenix, and this this song has a lilt to it that reminds me of the band Phoenix.
[15:15]The guitar playing especially, and the drum, so how would you describe her tone right now?
[15:21]Would you say that it's got a lot of metallic quality, like, like trumpetiness in it?
[15:28]Is it like, Is she blasting? Is she making a trumpy sound, or is she more into delicate, windy sound?
[15:35]I'm kind of leading I'm leading the answer a bit, obviously, she's a little more windy.
[15:38]She's a little more delicate, you hear a little bit more airflow in her sound.
[15:44]How much grit is she like, Is she doing that type of stuff, like squeezy, scratchy sounds?
[15:49]Not really, not so much.
[15:52]It's kind of delicate, air flowy.
[15:58]But there is a little bit of metallic quality in the tone. It's not pure wind, there's a little bit, so she's in a mix.
[16:04]What's a mix? A mix is like, you know, it's like you can make a real windy sound.
[16:10]That would be in the green, right?
[16:13]Now I'm in the yellow. I'm like a little windy and a little metal.
[16:19]Now, now I'm more metal than windy, right? It's a whole spectrum thing, right?
[16:24]So she's mostly wind, maybe a little bit, she's like mostly in the green, a little in the yellow here.
[16:29]But she changes later, she gets brassier and more metallic.
[16:34]Oh, that's a flip. We call that vertical mixing in singing.
[16:44]Oh, and that bass. That syncopation in the bass.
[16:48]I have to say, across the board, Japanese contemporary commercial music has some of the best bass lines outside of like 70s funk, you know what I mean?
[20:16]And the guitar playing especially, and the drums, and I'm wondering now, Freerinn I know is about the elf girl, um, who is this who is this, almost like father-son.
[20:23]I'm very curious about them in the story. This might pull me into watching more anime.
[20:30]I'm really open to watch whatever you guys want to watch, though, if we want to watch this together, I'm totally down.
[20:34]I like the existential angst of the show.
[20:41]I really like her phrasing. So phrasing is like, what is phrasing? Um, it's the way, it's like if you were speak phrasing equivalent in speech would be kind of how you shape your ideas, where you pause. You know, like how you take time in what you're saying and and the beginning, and the middle, and the end of what you're trying to say. Like right there, I just had a beginning, and a middle, and an end of what I'm trying to say. Same thing right there. So phrasing is like that, and how you choose as a as a musician to break up what you're trying to say musically in a nutshell, is your phrasing. And her phrasing, there's like a little stop-startiness to the phrasing, which gives this kind of angst in the expression.
[22:40]Oh, I could listen to that all day.
[22:45]And now we got like a like a little swinginess, like a long short, long short feel.
[22:54]And we, that's called in Reggae, chka chka that little accent on the offbeat on the syncopation, that's called the skank.
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And we got a little swinginess like a long short, long short feel. It's a musical term. And we got a little swinginess like a long short, long short feel. It's a musical term. And we got a little swinginess like a long short, long short feel. It's a musical term. And we got a little swinginess like a long short, long short feel. It's a musical term. And we got a little swinginess like a long short, long short feel. It's a musical term. And we got a little swinginess like a long short, long short feel. It's a musical term. And we got a little swinginess like a long short, long short feel. It's a musical term. And we got a little swinginess like a long short, long short feel. It's a musical term. And we got a little swinginess like a long short, long short feel. It's a musical term. And we got a little swinginess like a long short, long short feel. It's a musical term. And we got a little swinginess like a long short, long short feel. It's a musical term. 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